6 pop-culture highlights from across the region

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DUBAI: From resin earrings and a vibrant Moroccan wedding celebration to a Lebanese pop anthem and a stripped-back jazz-infused improvisation, here are six pop-culture highlights from around the region.

Manal

‘Makhelaw Magalou’

The Moroccan singer-songwriter’s latest single and its accompanying video (which has racked up over 19 million views on YouTube) are a tribute to the culture of her homeland, with the clip — directed by Farid Malki — covering several rituals of a traditional wedding, including the aamaria (a decorated chair on which the bride is carried), henna application, the bride’s Berber jewelry, the sharing of a meal, and a joyful, incense-drenched lila dance ceremony. Sonically, the track shows influences of the deeply spiritual gnawa music beloved in Morocco, with modern, electronic flourishes and a pop vibe.

Amir Fallah

‘An Anthem for Uncertain Times’

The acclaimed artist brings his enigmatic portraits and installations to Vancouver, Canada, in his new show. “(Fallah’s) subjects are most often veiled, masked or absent, represented by specific objects, cultural motifs and artifacts which point to who they are rather than their visual identity,” a press release for the show explains. Fallah’s family left Iran after the 1979 revolution, moving to Turkey and Italy before settling in America. “His work embraces how his journey has shaped his variety of identities,” the release states. “Each work encapsulates the perceived randomness of how our life experiences all fit together.” Artist and curator Sanaz Mazinani says of Fallah’s work: “For many of us living far from our ancestral lands, Fallah’s paintings model the ideas, beliefs, and fears that many immigrant bodies face daily. But through the work’s relentless beauty and tenacity … the offering of possibility comes in the joy of evolving difference.”

Adib Yassine El Khazen

‘Heliopolis’

The first release from a new trio — Syrian singer-songwriter Lynn Adib, Lebanese drummer Khaled Yassine, and Lebanese guitarist Raed El-Khazen — is an ambitious six-and-a-half-minute improvisation on Adib’s “Heliopolis,” built around a jazz-y drum line and sparse guitar (save for a solo midway through) that create a space for Adib’s stunning vocal trickery. According to El-Khazen, Adib wrote the track “following a heartbreak in Cairo” and the title refers to the ancient Egyptian city “where the sun god Ra was once worshipped as the ultimate source of light and justice in the cosmos.”

Son Savage

‘Just Keep Dancing’

Having topped Anghami’s charts with “The River” last year, the Dubai-based Lebanese producer (real name Charbel Ghanime) is enjoying similar success with his latest release — a funky, radio-friendly pop track called “Just Keep Dancing,” which, Ghanime says, “serves as an anthem that celebrates people in all their differences and quirks.” Added polish comes from producer Sleiman Damien, whose previous collaborators include Carole Samaha and Haifa Wehbe. “I’ve been a big fan of Sleiman since I met him around six years ago. We’ve always admired each other’s work and have always listened to and learned from each other,” Ghanime says in a press release. “In a recent trip I made to Dubai, I was showing Sleiman some projects I was working on and ‘Just Keep Dancing’ struck a chord with him. The rest is history.” The video meanwhile, “shows that — just like hate — love and dance can also be infectious,” he says.

Jude Benhalim

‘Electric Harmony’

The Egyptian jewelry brand’s annual summer capsule collection this year is made entirely from resin (actually, resin and translucent pearl that have been melted together) and “celebrates the harmony of marrying opposites,” according to a press release. “Electric Harmony” consists of three styles of earrings. “With dreamy spirals seamlessly merging with edgy studs, the motifs of the Greek-inspired pieces strive for a delicate balance of youth and sophistication,” the release states.

Ahmed Santa

‘Santa El Gded’

The Egyptian MC’s latest album pairs his trademark wit and lyricism with trap and drill sounds — a departure from his previous styles. “I’ve been authentic in my process of creating each song,” he says in a press release. “All of the emotions are true to that moment in the process.” The 10-track record feature collaborations with some of Egyptian hip-hop’s biggest names, including Desso and Abo El-Anwar, and could well be the release that makes Santa a star outside of his homeland.